Publications of William Thackeray
Note: The following printer, bookseller, or publisher lists are works in progress. They are generated from title page imprints and may reproduce false and misleading attributions or contain errors.
What does "printed by" mean? How to read the roles ascribed to people in the imprints.
In terms of the book trades, the lists below are sorted into up to four groups where: the person is designated in the imprint as having a single role:
- "printed by x"; or
- "sold by x"; or
- "printed for x" or "published by x";
or as having the seller and printer roles in combination, or an absence of the printer's name following "London: printed:" or "London: printed,":
- "printed and sold by x"; or "printed for and sold by x"; or "printed by and for x"; or "printed: and sold by x"; or "printed, and sold by x"; and so on.
On this last point, trade publishers may seem to have "printed" or "published" the work, though they did not own the copyright. The lists below reflect only the information on the imprint, except where ESTC provides extra information.
Printers (owners of the type and printing presses, and possibly owners of the copyright) may be identified by the words printed by, but printed by does not universally designate a person who is a printer by trade. Booksellers may be identified by the words sold by. Booksellers may also be identified by the words printed for, but nothing should be concluded in this regard without further evidence, especially since "printed for" could signify that the named person was a distributor (or what we might call a wholesaler) rather than a copyright holder. Copyright owners may also be identified by the words printed for. Trade publishers, who distributed books and pamphlets but did not own the copyright or employ a printer—and were not printers themselves—might be identified by the words printed and sold by. Furthermore, works from this period often display false imprints, whether to evade copyright restrictions, to conceal the name of the copyright holders, or to dupe unwitting customers. Ultimately, one must proceed with caution in using the following lists: designations in the imprints may not reliably reflect the actual trades or roles of the people named, and the formulas used in imprints do not consistently mean the same thing.
David Foxon discussed the "meaning of the imprint" in his Lyell Lecture delivered at Oxford in March 1976, with particular attention to "publishers" in the eighteenth-century context:
The fullest form of an imprint is one which names three people, or groups of people:
London: printed by X (the printer), for Y (the bookseller who owned the copyright), and sold by Z.
In the eighteenth century the printer's name is rarely given, at least in works printed in London, and the form is more commonly:
London: printed for Y, and sold by Z.
Very often in this period, and particularly for pamphlets, it is further abbreviated to:
London: printed and sold by Z.
It is this last form which is my present concern. Z is usually what the eighteenth century called 'a publisher', or one who distributes books and pamphlets without having any other responsibility—he does not own the copyright or employ a printer, or even know the author.
He cautions, "The only way to avoid being misled is to regard any imprint which says a book is printed for a publisher as meaning it is sold by him" (5).
D. F. McKenzie coined the term "trade publisher" for these publishers in his Sandars Lectures, also in 1976, on the grounds that their principal role was to publish on behalf of other members of the book trade (Treadwell 100).
Michael Treadwell cautions that "In this period the imprint 'London: Printed and sold by A.B.' normally means 'Printed at London, and sold by A.B.' and must not be taken to mean that A.B. is a printer in the absence of other evidence." Further, "The imprint 'published by' occurs only rarely in Wing and is almost always associated with the name of a trade publisher" (104). While there are exceptions to the rule, it is "certain," he explains, "that anyone who made a speciality of distributing works for others will show a far higher proportion than normal of imprints in one of the 'sold by' forms" (116), which appear in the imprint as "sold by," "printed and sold by," or "published by" (104). Treadwell gives Walter Kettilby as an example of "a fairly typical copyright-owning bookseller" (106)—his role is almost always designated by the phrase "printed for" on imprints.
A final caution: publisher is a word that should be used with some deliberation. Samuel Johnson defines it simply as "One who puts out a book into the world," but "published by" rarely appears on the imprint until later in the eighteenth century, and then primarily associated with newspapers and pamphlets. Treadwell observes that John Dunton names only five publishers among the 200 binders and booksellers in his autobiographical Life and Errors (1705) wherein he undertakes "to draw the Character of the most Eminent [Stationers] in the Three Kingdoms" (100). Treadwell also remarks, however, that "in law, anyone who offered a work for sale 'published' it. In this sense every work had one or more 'publishers', and every bookseller, mercury, and hawker was a 'publisher'" (114).
See:
- Terry Belanger, "From Bookseller to Publisher: Changes in the London Book Trade, 1750–1850," in Book Selling and Book Buying. Aspects of the Nineteenth-Century British and North American Book Trade, ed. Richard G. Landon (Chicago: American Library Association, 1978).
- Bricker, Andrew Benjamin. "Who was 'A. Moore'? The Attribution of Eighteenth-Century Publications with False and Misleading Imprints," in The Papers of the Bibliographical Society of America 110.2 (2016).
- John Dunton, The Life and Errors of John Dunton (London: Printed for S. Malthus, 1705).
- John Feather, "The Commerce of Letters: The Study of the Eighteenth-Century Book Trade," Eighteenth-Century Studies 17 (1984).
- David Foxon, Pope and the Early Eighteenth-Century Book Trade, ed. James McLaverty (Oxford University Press, 1991).
- Samuel Johnson, Dictionary of the English Language, (printed for J. and P. Knapton; T. and T. Longman; C. Hitch and L. Hawes; A. Millar; and R. and J. Dodsley, 1755).
- D.F. McKenzie, The London Book Trade in the Later Seventeenth Century (Sandars lectures in bibliography, 1977).
- Michael Treadwell, "London Trade Publishers 1675–1750," The Library sixth series, vol. 4, no. 2 (1982).
Printed for William Thackeray
- The Christians comfort: or, the goodness and mercy of God unto his children in their greatest misery. Shewing, the benefit of afflicton, and how to husband it so, that the weakest Christian with blessing from above, may be able to support himself in his most miserable exigents. Very full of heavenly consolation. London: printed for W[illiam]. Thackeray, at the sign of the Angel in Duck-lane, 1673. ESTC No. R171323. Grub Street ID 65605.
- Jones, Andrew, M.A. The dying man's last sermon, or, The Fathers last ble[ss]ing. Left and bequeathed as a legacy to his children, immediately before his death. Being comfortable meditations and preparations for the day of death; which for the worth of them are more worthy to be writen in letters of gold, then with ink & paper. London]: Printed for W[illiam]. Thackeray in Duck-Lane, 1674. ESTC No. R177848. Grub Street ID 69809.
- Jones, Andrew, M.A. Morbus satanicus. The devils disease. Or, The sin of pride arraigned and condemned. The 21 edition, with many additions. By Andrew Jones student in divinity. London: printed for VV[illiam]. Thacke[r]ay, at the sign of the Angel in Duck-lane, 1674. ESTC No. R179015. Grub Street ID 70614.
- Bushell, Seth. Cosmo-meros, the worldly portion: or, The best portion of the wicked, and their misery in the enjoyment of it, opened and applyed. Together with some directions and helps in order to a heavenly and better portion; enforced with many useful and divine considerations. By Set Bushell, D.D. London: printed for Will. Thackeray at the Angel in Duck-Lane, and J. [i.e. Philip] Burton in Preston, 1682. ESTC No. R175618. Grub Street ID 68445.
- Short and sweet, or, The happy and agreeable wooing of Oliver and Dorothy wherein is discovered the plain and easy way to a marriage estate, and how maidens without difficulty may get good husbands. To the tune of, The gunfleet. This may be printed, R.P. London]: Printed for W. Thackeray. at the Angel in Duck-lane, [between 1688 and 1689. ESTC No. R187453. Grub Street ID 75726.
- The jolly pinder of Wakefield, with Robin Hood, Scarlet and John. London]: Printed for W. Thack[eray, at the] Angel in Duck-Lane, J. M[illet]. and A. M[ilbourn]. [between 1689 and 1692. ESTC No. R179001. Grub Street ID 70606.
- Englands triumph, or, the kingdoms joy for the proclaiming of King William, and his royal consort, Queen Mary, in the throne of England, on the 13th. of this instant February. 1688. To the tune of, Thundering cannons roar. London]: Printed for VV. Thackeray in Duck-lane, [1689. ESTC No. R187950. Grub Street ID 76008.
- An admirable new northern story of two constant lovers as I understand, were born near Appleby in Westmoreland; the lads name Anthony, Constance the lass, to sea they went both and great dangers did pass; how they suffer'd shipwrack on the coast of Spain for two years divided, and then met again, by wonderfull fortune and care [sic] accident, and now both live at home with joy and content. The tune is I would thou wer't to Shrewbury. London]: Printed for William Thacker[ay,] at the Angel in Duck-Lane, and A.M., [1690?. ESTC No. R214073. Grub Street ID 89398.
- The vvhipster of VVoodstreet, or, A true account of the barbarous and horrid murther commited on the body of Mary Cox, late servant in Woodstreet London. Tune of, Grim king of the ghosts. Licensed according to order. London]: Printed for W. Thackeray at the Angel in Duck-Lane; J. Millet at the Angel in Little-Britain; and Alex. Milbourn at the Stationers-Arms in Green-Arbour-Court in the Little-Old-Baily. Where any chapman may be furnished with all sorts of small books and ballads at reasonable rates, [1690?. ESTC No. R1059. Grub Street ID 58942.